Tag Archives: Pamela Spiro Wagner

AUDIO Interview with Pamela Spiro Wagner: WNPR on Connecticut Hospitals’ Use of Restraints and Seclusion

(***SEE PAMELA’S COMMENTS AT BOTTOM OF PAGE…)

Connecticut Hospitals Responding to Psychiatric Restraint Numbers

“They don’t want you to get out. They pull [restraints] as tight as possible to the sides of the bed.”
Pamela Spiro Wagner

Pamela Spiro Wagner’s apartment is full of art she’s made while in psychiatric care. One piece dominates the room. It looks like a painting at first. It shows a threadbare seclusion room and a restraining bed.

“That’s made of Vogue magazines. If you look at it, you’ll see there’s a little label of Prada leather on the leather restraints, which was done on purpose,” Wagner said. She made it while alone in a hospital seclusion room. The magazines were the only art supplies she had.

Wagner has schizophrenia. She’s been in and out of Connecticut hospitals for decades, and she knows what it’s like to be restrained. “They use leather, or rubber, or plastic, or whatever restraints that they wrap around your wrists, usually tight because they don’t want you to get out. They pull them as tight as possible to the sides of the bed,” she said.

Wagner was put in four-point restraints. That means each limb is bolted to the bed, and she said she’s stayed there for nearly a day at a time. “I would just scream from the base of my lungs,” she said, “like the screams that if you had any heart, your heart would break if you heard me scream.”

“Restraint is Pretty Traumatic”

Patricia Rehmer, Commissioner of the Connecticut Department of Mental Health and Addiction Services, said the department has cut down on restraint since receiving a federal grant in 2008. “We know,” she said. “The literature is clear; the clients are clear. Seclusion and restraint is usually a pretty traumatic event. If we had our way, there would be no seclusion and restraint. We’d love to get to zero, but that’s not always possible.”

Credit WebKazoo / Connecticut Health I-Team

The Department of Mental Health and Addiction Services oversees state hospitals in Bridgeport, New Haven, Hartford, and Middletown. Rehmer said that because patients stay longer at state hospitals, doctors and nurses have more time to work with them on ways to avoid restraint. “Frankly, there are differences between our hospitals, our hospital beds, and general hospital beds, for example,” she said.

Read C-HIT Report: State Restrains Psychiatric Patients at High Rate

Restraining or secluding patients used to be commonplace in psychiatric facilities, but ten years after a series of deaths nationwide, there’s been a push to lessen the time patients spend restrained. Federal data released earlier this month showed that Connecticut’s rates of restraint are still high compared to most of the country – more than double the national average. The state ranks eleventh nationwide, and third for use of restraints among the elderly.

Connecticut Institutions Adapt

Bridgeport Hospital topped the list statewide. The hospital has a large geriatric unit, and the numbers were high for elderly patients.

“We realized about a year and a half ago that we were really having a problem,” said Ryan O’Connell, Bridgeport Hospital’s vice president of performance and risk management. He pointed out that the numbers only go up to the middle of 2013, and said that the hospital started changing its practices since then. “It was much more common for us to go to some type of restraint,” he said.

O’Connell said the image of the barren room and four leather straps is all wrong at Bridgeport. They’re mostly trying to keep patients with dementia from wandering off and into danger. “I think it’s really important,” he said, “that nobody thinks that we were tying people down [by their] hands and feet.”

Bridgeport is moving toward something called comfort rooms, with colorful wallpaper, toys, games, or comfortable furniture. They’re becoming common alternatives in a lot of institutions, like Connecticut Valley Hospital in Middletown — a state hospital that cut back on using restraints by about 88 percent in the past decade.

In 2002, a patient died after being restrained at CVH. The hospital conducted investigations after the death, but Director Charles Dike said they’d already decided to make a change before it happened. “Our target is to make sure we use it as sparingly as possible, only when it is absolutely necessary, and that we discontinue it as quickly as possible,” he said.

CVH started using comfort rooms years ago. Dike said that instead of putting a patient in restraints, they try to encourage a patient to spend a little time alone doing something relaxing. He said, “If somebody says to me, when I’m not doing so well, I like to go into my room and play music, and that helps me calm down…” He said that nurses will remember, and bring it up if the patient starts to lose control.

Dike doesn’t expect to stop using restraints. He said there will always be outliers — patients who come straight from emergency rooms and prisons.

Ellen Blair is the nurse director at Hartford’s Institute of Living, which is part of the Hartford Hospital system. Figures for 2013 show Hartford Hospital restrains patients at a little over the state average, but she said they’ve cut back since then thanks to new training programs and more comfort rooms.

Blair said that when a patient does go into restraints, they’re looked after. “I personally go and make sure I know that patient,” she said. “We all talk about it at least every couple of hours, because we don’t want to keep it going any longer than we have to.” She said patients aren’t left alone, and that restraint is only used as a last resort when patients are dangerous to themselves or others.

“Every day,” Blair said, “we come here thinking, okay, we’re going to have a good day. We’re going to prevent people from getting agitated and having to go to that level.” Restraint, however, remains a last resort these hospitals said they don’t plan to take off the table entirely.

Curling Ocean Waves in Red Room: Painting in Gouache

 Curling Ocean Wave in Red Room - Painting in Gouache
Curling Ocean Wave in Red Room – Painting in Gouache

 

Not sure what to make of this painting, but I enjoyed doing it…What do you think? It is 8 by 12 inches, approximately, in gouache on Ampersand board (essentially gessoed masonite).

Red Rum in Red Room (or Why is that Cat Scared of Me?): a painting by Pamwagg

Red Rum In Red Room (or Why Is that Cat Scared of Me?) Gouache on 100% cotton paper Strathmore 500)
Red Rum In Red Room (or Why Is that Cat Scared of Me?) Gouache on 100% cotton paper Strathmore 500

 

Yes I actually managed to paint this picture — in gouache, not oils, true, but I did it, I picked up paints and brushes and from start to finish made a complete painting. This is a big step for me. True, I did the running shoes picture a bit earlier but that was really just a sketch. I have been drawing for so long, and so scared of painting that it feels really BIG that I did this, good or bad a picture though it might be. Sooooo, what’ja think?  (By the way, it is a self-portrait – not flattering but hey…)

First Poem in my New Book (unpublished so far)

TO THE READER

Zaftig Reader, engross in her poetry book
Zaftig Reader, engrossed in her poetry book

 

Last line inspired by Helen Vendler

 

who may be sitting as I am

in a green recliner with a cup of tea

staring out through the porch

to a darkened streetlamp outside the diner,

with a book in her lap, mine, I hope

the only one I feel I should have to mention

if I mention a book in a poem I write;

to the reader, the nitpicker, the one

who may be wondering why

on p. 47 there are two ands, one

right after another, and whose fault that is;

and to the reader, who may be tired

after a long ride home on the bus

after dark and a meal not worth mentioning

who picks up my book but finds his eyes

closing before he has opened the cover,

I say: Forgive me

I am only a writer sitting in a green recliner

with a cup of tea, I can’t explain

those two ands or the mysterious

streetlamp or warm the feet of a tired

reader in his bed. I can only put music on

and tell him stories to make movies

turn in his head, to let him wake

with the sudden understanding that poetry

may be all it takes to make a life—

well, my life at any rate, and maybe his,

and maybe the nitpicker’s and yours, too,

staring through the porch to the streetlamp

where what happens so mysteriously is poetry—

and the whole night is wrapped

in the words spoken by two strangers

meeting there, or not spoken, which is poetry too,

and all of us who listen are waiting

for the music of what is to happen.

 

No No NaNoWriMo….I have a NaNoMiGraine

No No NaNoWriMo….I  have a NaNoMiGraine

Foot in Mouth, Foot in Eye…I dunno what it means. I just drew it folks!