Mixed media, 14.5” tall
Although I added a coat of protective varnish to this at the last minute, I don’t think this ruined it or justified Bulkeley high school in Hartford, Connecticut hating the piece so much that they would have refused to acknowledge receiving it…But indeed, that school, located on Wethersfield Avenue in Hartford, CT took this beautiful piece, but decided I did not deserve either a word of thanks or even notification of receipt that the piece arrived.
I cannot tell you how much this hurt me, but what do they care? I imagine the probably hated it, but why take it if they were only going to store it in the basement? I would’ve gladly kept it and NOT given it to those ungrateful wretches…I LOVE the piece and even with the shiny varnish I loved her…And I hate to think that the so and so’s at Bulkley high school just threw her in a hole so no one would ever see this lovely Black Madonna, and they never even told me they did not want her!
How dare they? I mean, if someone offers you, an organization, a piece of art and You do NOT want it, please do not take it, for it is an insult beyond insults not to display it. Furthermore, to not even thank the artist who likely spent many hours on the piece, is really an abhorrent act. But what do you expect from administrators of a high school? Apparently no more than boorishness just like this…
Screw them…But it makes me want not to donate art anywhere ever again if their response is typical.
Papier mache goose is painted with acrylics both metallic and non-metallic and it stands (yes!) on a “bed of pebbles and dirt”.
This is the one slide that didn’t make it into the mini artshow, even though I had meant it to. So here she is, about twelve inches tall or so, and of mixed ethnicity, given her lovely dark skin and incongruous Roman nose! But mixed heritages are in these days so I guess I can be forgiven, being her creator…
I have been madly completing artwork for the show coming up on the 28th. So far have done three bowls and finished the Sitting Child Trudy…Have two more bowls waiting to be painted…And a goose to make for Ruth. Meanwhile, “The Book” is not yet printed, but it looks like it will be soon…The one poem I hate, Solo for Two, cannot be deleted, so I must settle for it staying in but the other corrections were made. I wish I had not been told that the book needed no editing, which is patently silly, ALL books need editing! But that is what they told me, so I did not look at it again, until it was too late to do much. I should have known better! I ought to have known better, as that is precisely what Diane K, our erstwhile editor told us about Divided Minds, and so opted out of helping us. But nothing could have been further from the truth, and luckily we knew it. She was basically trying to sabotage the book, even Lynnie thought so. ARGH, that is water down the sluices…What is important now is that the corrections I really needed made in WE MAD were in fact made, and the one poem I do not like may in fact appeal to someone. So I will put up with that one poem staying in, and hope it does not mar the entire thing…
That said, here are the new art works, first the three bowls, which take about a day to paint each, more or less, and then Trudy, which took several months of intermittent work.
Trudy is about three feet tall but on her hassock is somewhat taller. I’d say she is about the size of a seven year old? But I dunno, since I haven’t seen a seven year old in a while. 8)
The day our book, “DIVIDED MINDS: Twin Sisters and Their Journey Through Schizophrenia” came out, in mid-August 2005, Carolyn/Lynnie, my twin sister, and I had three engagements scheduled, including a radio interview, a TV appearance, and, that evening, our first public speaking/reading engagement at a local library. Due to advance publicity and widespread interest, it turned out that the venue had had to be changed to accommodate all the people who had called ahead indicating they planned to attend: instead the usual small room at the library, we were to speak in the auditorium at the Town Hall.
I made it through the day all right, but by evening, I was beginning to become symptomatic, hearing people unseen whispering over my shoulder and seeing familiar dancing red particles I called the “red strychnines.” Nevertheless, I was determined to make it through the final “gig” of the day in one piece. I was, however, getting more and more nervous, despite taking my evening medications early. Finally, Lynnie suggested I take a tiny chip of Ativan, not enough to make me sleepy but enough to calm my anxiety. I resisted up until the last minute, when, finding the stress unbearable, I agreed to it. She ran to get me some water, and came back with two cold bottles that had been set aside for us all along.
Then, we were on. Lynnie had done some speaking before, and seemed to me to be amazingly relaxed in front of the 340 people who overflowed from the first floor onto the balcony above. When she introduced me to read a section of a chapter I had rehearsed over and over until I could do so with the proper ease and feeling, I got up, trembling, and walked to the podium, wondering if my voice would tremble also.
In the book’s margins I had everything written out, from my introduction to the passage to instructions to myself on where to slow down, where to raise my voice, where to pause and so forth. I raised my head and looked at the audience, then looked down at the text and taking a breath, began.
I was surprised to hear my voice sound as strong as it did and wondered how long I could keep it up, knowing how fatigue and awareness of the audience could make it weaken and go tight on me. Indeed, after a particular spot in the book brought painful laughter from some in the audience, I could barely speak. I had coached myself for this eventuality: Breathe, I told myself silently. Breathe through it, keep reading but breathe slowly and calmly as you read and your voice will relax and stay loose. To my intense surprise and relief, it worked. I made it through the entire segment. “Thank you,” I murmured, indicating that I was through,” though it was obvious from the text that the piece had come to its natural end.
The audience burst into applause. People stood up, all of the audience stood and clapped. I didn’t know what to do. They were applauding me? What had I done to deserve this? Even Lynnie was on her feet and smiling. She nodded at me, telling me it was okay. Her eyes seemed to sparkle, as if they were full of tears. My own eyes were wet and I was too embarrassed to wipe them…
Lynnie then gave a speech of her own, a wonderful speech, ending with her asking me to stand up. and this too received a standing ovation. We looked at one another.. Who’da thunk? our eyes asked in pleased but puzzled amazement. Then it was over. But not quite. There was still a long line of well wishers with books to be signed and many people who wanted to talk to us. I was so tired that I let Lynnie field most questions, and hid behind her or busied myself signing and pretending to pay attention to her, so I didn’t have to talk myself. In truth, I was exhausted, and though elated the evening had gone so well, on the verge of tears from sheer relief…
When we left, there were only a few people remaining in the hall. The library employee who had given us the opportunity to speak, told us it was one of the best attended events he had ever scheduled. We thanked him or Lynnie and Sal, her new boyfriend, did, I mostly lagged behind, and followed as if in a trance. Then we headed out into the warmth of the August night.
After the success of that night, the book tour, and later our paid (Lynnie was paid, I was not, as she had to take time off from her practice to do so) engagements became easier and easier, especially after we worked up speeches of our own and developed a rhythm and interaction with one another that seemed to work well. But it was wearying, and I wasn’t always taking my medication as I was supposed to. I still hated Zyprexa, which we had cut to 2.5mg plus Haldol and Geodon, and so I skimped on it as often as I could, as well as the deadening Haldol. Geodon was the only antipsychotic I was on that seemed to have no objectionable side effects, but it clearly was not effective by itself. So even as we made our way out to Tucson, AZ I was skating on the edge.
2006, fall. I had made it 18 months since my last hospitalization but fatigue and exhaustion and it may be (I do not now recall for certain) not taking all my medications as prescribed conspired to allow in the same hallucinations that had such devastating consequences back in 2003/4. I was to set my whole body on fire, they told me, not to kill myself but to scar myself so badly that all would shun me, leave me alone, which was what I deserved, and what they ought to do in order to be safe. Because I could not promise not to act on these commands, I was hospitalized not far from where Lynnie lived at the time. I spent a month there, a very difficult and painful disruption in my life about which I have written earlier (see the entry about “trust”).
I was hospitalized it seemed every five months after that, until 2008, when I managed another 18 months. But life in between those stays was improving. Although we still did occasional speaking “gigs” we slowed down on those a great deal, so my time was more my own. I had made a papier mache llama once in 2004 when I was hypomanic, and it had taken all year to paint it, after I’d come home from the hospital no longer high. But the fun of it had stuck with me and in 2007 I made a turtle, a huge tortoise and took a couple of months painting it. In between I created some small objects. Then over December 2007 and January 2008 I built and painted my first large human, the Decorated Betsy. I was off and running, with Dr John Jumoke coming in April, May, and June of 2008 and the Shiny Child Ermentrude started in October of 2008 and finished in early January 2009.
Also in this period of time — between 2005-2009 — I put together my first manuscript of poems written over a 20 year period about living with schizophrenia, and another manusript of more recent poems, not about schizophrenia, and sent the first one off to the press which is publishing it, in their series on chronic illness. Once it comes out, probably in March, I will be free to finish work on the second. I will send that one out and hope it too gets published as I prefer those poems to the ones in the first, though I have had rave reviews on that one, at least from the people who have seen it so far. I, of course, as the author, can only view it through the jaundiced lens of self-criticism and self-hatred…
Plus ça change, plus la meme chose. (and some things never change…)For all the seeming success I have had in these past three years of recovery, I still struggle with abysmal lack of self-regard, and chronic paranoia. If and when I find myself a new therapist (I must soon leave Dr O, as the travel time 1.5 hours there and 1 hour home has become too much for me, and too it may be that she will no longer be continuing her practice, though I do not know that for certain…But in this economy, I can no longer afford the ride there as well as her fee. And I think too it is time to move on…both for her sake as for mine.) ..if and when I find a new therapist, it is those two things, self-esteem and the very right to have it, and paranoia — how to either end it, or live with it, are my two major goals I want to deal with, head on.
But then, maybe that’s all we have ever done, Dr O and I, dwelt forever on my lack of self-esteem and my paranoia, getting nowhere for all that. Perhaps she had the wrong tactics, the wrong methods, or else perhaps I am hopelessly mired in my own worthlessness and suspiciousness — for lack of a better word, though paranoia means so much more than that…
In any event, I have tried here to describe in one entry a little of what has gone on for me since the book came out, since the beginning of my recovery. But my recovery truly began when I’d started Xyrem some months before. That is the drug that caused Lynnie to exclaim upon seeing me, two months after I’d started it, “Pammy, you’ve changed. You look wonderful, you’re back.” Xyrem, book, papier mache, poetry…all together gave me parts of a life that became somehow worth living, and it is worth living, even if at times of dark forgetting, as in February, I lose track of the one fact I need most to remember.
Iguess I don’t have to say too much about these photos since they pretty much say it all. The Child is papier mache painted with metallic acrylic paints. I made her clothes out of poster paper and paper toweling and her hair from tissue paper, the rest of her skin is mostly a layer of heavy duty newsprint or packing paper.
We are having an art show in my building in March so I am trying to finish a few projects in order to be ready for it. Alas, the Child is taking up so much time that I dunno that I will have finished much else besides by March…since I needs must also review the galleys of my book of poems and write several articles and perform any number of other necesary duties. Here are two other small sculptures I have made that I could add to the show:
Art capital A saved my life. More than that. Art gave me a new life, new hope, and something to get up in the morning for. It’s not that I stopped writing. Clearly that is not the case. But I was writing in a vacuum and needed an outlet for my creative urges that involved more than just my brain. Oh sure, writing involves the hands, too. But not in the way I mean. What I needed was, well, what do I mean? I wanted to make things, create objects or works of art that could be seen and touched and even smelled and if scratched or thrown to the ground, heard. And if I were like van Gogh, I might even try to taste them! In short, I wanted to create something physical, not just an imaginary or remembered world.
I have always needed to work with my hands, making something or doing some sort of craft or artwork, though I gavitated towards the crafty side of arts and crafts, fearing that I could not “do real art”, that I was not the stuff of which true artists are made. (And pray tell, what stuff is that, Pamela?) So even when I – on a whim – dove into sculpture during a manic episode, creating that llama-in-a-day I have spoken of, the result was mostly folk art, which is to say, unsophisticated, rustic, and at best a craft-like work. Sure, I was pretty proud that I’d made a lifesize animal that actually stood up firmly on its own four legs. But with a deli container head (underneath the papier mache) and huge mailing tube body, scarcely concealed, big enough to have once held a large amateur telescope, it didn’t look much like a llama. In fact, the result was not much more than that tube covered with a few layers of paper and glue, and all of it painted red. Nevertheless, I was proud of “Dolly the llama,” though it took me a year after the mania was treated to finish her. Her saddle blanket fooled many into tugging at the finge to see if it was real or not. a trompe-l’oeil — eye fooling — success that pleased me no end.
But a year was much too much time to complete a sculpture, even a life-size llama. I was almost dreading the work by the time I got to applying the last few strokes of paint. I needed more drive than that to do art, but I didn’t seem to be able to sustain the energey or enthusiasm for much of anything. I wasn’t sure how I managed to write the book, even. Then, during my last hospitalization it seems this obstacle was overcome: on Abilify and Geodon I suddenly had both energy and stamina galore. Or perhaps it is simply that the medications enabled a well me to come out, someone who could sustain an artistic effort, even if it was for the very first time. Given a different life I would have been doing this sort of thing all along had I known it was possible, had I had that kind of stamina… But I didn’t think about this, no, for me there was no looking back.
Over the year and a half since then I have created several pieces, large and small, from a large tortoise to a “crazy fruit” bowl. From a large seated man, to a child detachable from her hassock (not quite finished). My female sculpture, the Decorated Betsy, has even won a NAMI national contest on creativity and mental illness. But why tell you about them. I want to see if I can upload a few photos instead here, but you’ll have to bear with me as I try out the “program”. First, I want to upload a picture of that llama, just so you can get a look at my very first attempt. She now resides in my parents’ bay window, a placement that I regard as an honor.
Here is the Dream Tortoise, otherwise known as Yurtle the Turtle, which is about 3 feet in diameter.
There are two other large scale sculptures, each a person, plus a work in progress, but it is nearing my bedtime and there will be hell to pay if I do not get my 8 hours of essential-to-my-mental-health sleep. So I will stop here and get back to this tomorrow, posting at least two if not more photos of my artwork then.
Aw hell, here are two more, but without comment or caption except to say that the prescription that the man holds in his hand reads: Dr John Jumoke Rx: art, poetry, music. But first the earliest human I have done, the Decorated Betsy (note that half her face is also decorated, and since Jumoke was supposed to be her doc, his face is decorated too. Does this perhaps indicate that perhaps he too is- infected?:
And now Dr John Jumoke