The site won’t let me sign up or comment so I am reblogging this and commenting at my site:
This Healthtap App is actually rather useless for those of us in long waiting lists for PCP care. Since you have to have an actual PCP to do Gutman’s virtual Concierge consultation, what good is the health tap app for most of us? Health tap basic refuses to answer any personal questions anyway…And what if this PCP doesn’t have the time to see us virtually at any time of day we demand?? ? Why would they with a flourishing and already busy in-office practice? I think the idea of virtual consultations with available on-line docs and specialists has tremendous potential, and could have safeguards built in, but to demand a prior face to face relationship just ties the hands of anyone who really needs health care. I live in rural Vermont where all the clinics have long waiting lists, one, and two it is very difficult for me, who has difficulty driving distances, to get anywhere…Virtual consults would solve MANY problems, but alas Health Tap’s solution is not there yet (possibly not its fault, but it is not the answer yet, not in its present form).Unfortunately, and I am ordinarily pro-regulation, but maybe not in this case, I think the earlier version of Health-Tap where you could pay a dollar or two to ask more detailed questions of available online docs for the general readership’s benefit, was more effective and helpful, than this trying to do too much that the government at present does not permit. The new Health-tap doesn’t seem to get anything quite right at the moment, alas. I know this will change. But is frustrates anyone wanting to try virtual medicine and being stymied at all corners..
Globe-trotting rocker Rachid Taha has been flying back and forth between Paris and New York, making his eighth album with Bowie’s old producer Mark Plati. Bonjour is an album full of sparky guitars and positive vibes, the fruit of a spontaneous collaboration with Louise Attaque frontman Gaëtan Roussel. Taha, who plays L’Olympia in Paris on 10 November, talks to RFI Musique about the genesis of his new album and his thoughts on the government’s immigration policies.
RFI Musique: Why such a simple, naïve album title like Bonjour? Rachid Taha: I called my album Bonjour – “hello” – because people have more or less stopped going round saying “hello” to one another. Even when they do say “hello”, it’s a purely functional greeting, it rarely comes from the heart. People in France are always rushing up to kiss one another on the cheek, but it’s a purely formal gesture that lacks any real depth or generosity. What I’m trying to do is reinstate “bonjour” to its rightful status, make the exchange of “hellos” a gesture full of warmth and human kindness. I want “hellos” to last and to mean something, like when you say “hello” in Africa and you take the time to talk about what’s going on in the village, what’s happening with friends and people you’ve loved who’ve disappeared, what’s going on with the kids…
How did you come up with the idea of working with Gaëtan Roussel? I was having a few drinks in a bar in Ménilmontant! And I got to thinking about the song Bonjour. Anyway, to cut a long story short, I asked Gaëtan if he’d write a French version of the song while I wrote one in Arabic. At the end of the day, I preferred his version so we kept that and I added my lyrics. Everything happened so smoothly that I thought “OK, maybe we should take this collaboration a bit further now?” It was a question of feeling really, the right vibe passed between us and that’s how Gaëtan ended up acting as a sort of producer on the album.
Do you think Gaëtan Roussel added a new edge to your sound? Yes, he did and that’s one of the reasons I wanted to work with him in the first place. I spent many years collaborating with Steve Hillage and then I felt the need to change tack and move on to something different. I loved the work Gaëtan did for Alain Bashung and that’s basically what I wanted from him. I was looking to him to inject a breath of fresh air, a lightness of touch, a bit of a country vibe. I wanted Bonjour to sound a bit like the sort of folk album made by Bob Dylan, Elvis Presley or Ry Cooder. I’m a big Ry Cooder fan!
You recorded part of your new album in New York with Mark Plati who took care of mixing and arrangements. What did he add to your sound? Mark’s worked with a lot of people over the years like David Bowie, Alain Bashung and Les Rita Mitsouko… I’d say he introduced a bit of an urban rock feel on certain tracks. It was thanks to Gaëtan that we ended up in the studio with Mark and it was a brilliant experience. I’m really into the idea of travelling and exchanging ideas with people. I believe you have to reach out and look elsewhere if you want to vary your sound. I’m not into the idea of putting out the same album over and over again. Music’s like food in that respect – I’d never dream of eating the same thing every day. I don’t want to make myself sick or turn anyone else’s stomach by churning out the same old thing time after time!
On This is an Arabian Song, you and Bruno Maman sing “N’oublie jamais”(Never forget.) Never forget what? Never forget the world’s problems. Never forget wars, genocide, poverty, misery, never forget the past… I’m not into the idea of nostalgia but I think it’s important to take responsibility for the world. You have to take responsibility for your behaviour towards others. And you have to be aware of the past. It’s only by reaching down to your roots that you can stand tall like a tree.
Where do you stand on the current debate about French national identity launched by the French immigration minister Eric Besson? It takes me back 25 years, back to the time I recorded Douce France… The thing is the young generation are much more tolerant now than they were in the eighties. Everyone’s got Moroccan, Algerian, Portuguese and Senegalese friends these days. Why does a minister like Besson have to go round stoking up old hatreds if he isn’t trying to win National Front votes before the next election? Funnily enough it was Besson who revived the idea of DNA testing to crack down on immigration. That man is not living in the real world or he wouldn’t come up with such hypocritical solutions. And to think he was once a Socialist!
Rachid Taha Bonjour (Barclay) 2009 In concert at L’Olympia, Paris, 10 November 2009.
Well, i hardly know what to add to these undeserved accolades, except to encourage trafffic at Marie’s site! She is a terrific mental health advocate and amazing person in her own right. Go take a look!
I recall my post on who is a simpleton? I detailed my friendship with with massa Gaby, and although I don’t know what or if he was ever diagnosed with any mental illness (hardly the case back home you know – you go lun and you are abandoned by your family and all to roam the streets as you please), I see a lot of schizophrenia symptons there now.
When I became more active in the mental illness world, one of my first friends (now a precious member of my dear e family), was none other than Pammy as she is fondly called. Please, do yourself literary justice and read her about me page to understand once and for the umpteenth time that psychiatry destroys more than it helps and heals so far. Why let people with so much talent deteriorate so far…
If this doesn’t make you happy, I am very sorry…I myself despite a massive migraine and fears of vascular bleeds found mysefl directing a virtual orchestra in the midst of my pain and by the end, PooF! magically it was GONE! Miracle of miracles!